Erich Maria Remarque's All Quiet on theW estern Front (1929), through which he wages a 'quiet literary crusade against war' and militarism, is one of the more famous anti-belligerence works to have been ever written. Originally written in German as ImW esten nichts Neues, the novel, which is often read against Ernest Hemingway's A Farewell to Arms (1929) as a convincing testimony of the numerous horrors of the First World War (1914-18), is exhaustive in its depiction of the hardships and miseries that the twenty-year-old German army recruit, Paul Bäumer, and his comrades experience while fighting against the Allied troops on the Western Front. “Einer ruhigen literarischen Kreuzzug gegen den Krieg: Rereading Remarque's All Quiet on the Western Front” seeks to offer a critical interpretation of the different aspects of Remarque's novel, much maligned for its pacifism, that have had helped it to retain its readership, popularity, and relevance even after eighty three years from the date of its first serialisation in the German newspaper, Vossische Zeitung. Select critical views on the 1929 novel have also been mentioned in the essay