The text of Flowers analyses the triangulated version of human relationship. Enmeshed in erotic sentiment (rati) it brings into being the effectiveness of folk motifs and the orality of literature. The existing two female characters in the text- the wife of the priest and Ranganayaki- create the sensuous perception and arouse visual and auditory stimulus-response for awakening the latent emotions(sthayibhavas). It ascertains the fact that the contents included in the text of flowers are conditional by the social obligations and moral responsibility. The devices of folklore and the application to the oral signs of literature as an inclusive mode in showing the complications of relational values setforth the metaphoric connotations in the text. The sense of horrification and fetidness as the sthayin (latent) of jugupsa (disgust) prevails in the structural properties