This article shall explore how identity has been inherently central to Mizo folk narratives and that most narratives have been located within this aspect. It shall examine select folklore narratives that have been rendered in the original Mizo.While denoting this, it shall also determine the continuing significance of folk narratives in the society. It shall in the process examine both folk and cultural dynamics that have emerged within post colonial Christian parameters and reflect upon how folk narrative still remains a significant marker in terms of locating identity within the Mizo perspective