Vol. 2 No. 3

Audiences' Involvement to the Dramatic Performance : An Evaluation of Badal Sircar's Procession (Michhil) in the light of his 'Third Theatre'

Soumitra Chakraborty

pp. 5-8

“Re-“visioning” Intertextualities in R. K. Narayan's Novels: Comparative- Cultural Critique

Anand Balwant Patil

pp. 9-21

Defining Manhood: A Study of Ramamoorthi's Hey Parashuram

A. Sujatha

pp. 22-26

'Universalism and Indigeneity'

David Ayers

pp. 27-31

Tellers, Listeners and Communities : Bharati's Suraj Ka Satwa Ghora

Supriya Agarwal

pp. 32-59

Lata Mishra 38 Schriftsteller Aus Der Marge: German Poets of The Two World Wars – Pinaki Roy 47 Locating Identity within Mizo Folk Narratives

Margaret L. Pachuau

pp. 60-66

Apocalypse and After: Fictional Representations

Rajesh Kumar

pp. 67-72

Patriarchal Oppression in Chandrasekhar Kambar's Jokumaraswami

S.Kumaran

pp. 73-77

Reordering the Self in Kazuo Ishiguro's A Pale View of Hills

C. Lalrinfeli

pp. 78-82

Voices in the Mirror: An Authentic Document of Black Consciousness

Vandana Pathak

pp. 83-89

In Search of Universal Peace in Ratan Thiyam's My Earth, My Love

A.J. Sebastian sdb

pp. 90-95

Death of the Author in Italo Calvino's If on a Winter's Night a Traveller

Sambit Panigrahi

pp. 96-103

In Conflict with the Self: A Study of Ruby Slipperjack's Novel, Weesquachak and the Lost Ones

Naresh K. Vats

pp. 104-111

Identical Community and Communicative Identity in the Racial Map: O'Neill's Thirst in Perspective

Ankur Konar

pp. 112-119

A Short Study of the Select Works of John Henry Newman with Reference to the Victorian Conflict

R. K. Guangdiat Nicholas

pp. 120-125

Breaking The Fictional Stereotypes of Growing Up: British Children”S Literature Today

Nandita Mohapatra

pp. 126-130

Religious Fundamentalism and Secularism: A Postmodern critique of Orhan Pamuk's SNOW

S.Ambika, M.P.Sarojini

pp. 131-135

Themes of Oppression, Suppression and Self-Determination in Anita Desai's Fire on The Mountain The Zhadipatti Theatre of Vidharbha: An Unheard Melody

Durgesh Ravande

pp. 136-139

Use of Tiger as A Symbol in He Who Rides A Tiger

Debasis Chattopadhyay

pp. 140-143

The Horror and the Glory: A Black Artist's Emotional Experiment to Break the Ice

Bhumika Sharma

pp. 144-149

Mother Stereotype in Mary Gordon's Pearl

Rachel M. Sylus

pp. 150-153

Cultural Difference and Multicultural Society: A Critique of Mistry's Squatter

S. Christina Rebecca

pp. 154-159

The Women Characters in Scott F. Fitzgerald's Fictions: His Autobiographical Commentary

Anubha Ray

pp. 160-166

Assessing Feminine Endurance in Charlotte Bronte's Jane Eyre

Kaisa Rosalind

pp. 167-172

The Forbidden Space in Mahesh Dattani's Plays Tara, Thirty Days in September, On a Muggy Night in Mumbai and Final Solutions: A Study

Abhinandan Malas

pp. 173-179

Gemeinschaft: Kamala Das's Quest for Love

D. C. Chambial

pp. 180-185

Voices in the Mirror: An Authentic Document of Black Consciousness Rushdie to Adiga: The Edifice of The Indian Narrative

G.A. Ghanshyam Iyengar

pp. 186-191

Mahakavi Subramania Bharati and Pondicherry

P. Raja

pp. 192-198

An Interview with Mamta Kalia

Tanu Gupta

pp. 199-202

An incident 2010:'A' for an 'A', GOD's Own Country

Rosaline Jamir

pp. 203-204

Pinaki Roy: The Scarlet Critique

Jaydip Sarkar

pp. 205-205

Jayanti M. Dalal: Spatial Echoes

Jayshree Palit

pp. 206